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Hitman Movie Review


Hitman Movie Trailer





SYPNOSIS


Agent 47 (Olyphant) has been educated to become a professional assassin for hire. His most powerful weapons are his nerve and a resolute pride in his work. 47 is both the last two digits of the barcode tattooed on the nape of his neck, and his only name. The hunter becomes the hunted when 47 gets caught up in a political takeover. Both Interpol and the Russian military chase the HITMAN across Eastern Europe as he tries to find out who set him up and why they’re trying to take him out of the game. But the greatest threat to 47’s survival may be the stirrings of his conscience and the unfamiliar emotions aroused in him by a beautiful, damaged girl.


MOVIE REVIEW


The best and most concise way to describe this movie is eye candy. I was anxiously anticipating this movie and after finally seeing it, it fell slightly short of what I was hoping for. I personally don’t mind eye candy cause, again, one of the main reasons to see a movie is to be entertained and eye candy can be entertaining so long as something in it has some substance. The substance in this case comes in the form of decent action, a not-so-bad storyline, and seeing Timothy Olyphant (Agent 47) in a role unlike any other I have ever seen him do. I had my doubts on the decision to cast him in the lead for this film, but he was sharp and pulled it off nicely. Granted, not nearly as good as when I had doubts about Christian Bale as Batman, or Daniel Craig as 007. We all know how that turned out. At certain moments he looked, acted, spoke, and even moved like a video game character. Not sure if that is good or bad, I guess it depends on if you’re familiar with and/or a fan of the game. This is not his best performance in a film, but it did broaden his repertoire.


Dougray Scott (Mike Whittier) delivers the only other performance worth mentioning. He plays an Interpol agent that has been trying to track down these mysterious hitmen for years, specifically 47. One of the pieces of eye candy, or least for me (sorry, I am a guy), comes in the form of Olga Kurylenko playing the role of very attractive Nika, a damsel in distress who gets all wrapped up in this conspiracy and thus in 47’s life. By the way, 47’s serious focus and good training is evident on how he deals with Nika’s seductive advances. It is almost disappointing.


Other eye candies include the gorgeous Audi that 47 drives, the weaponry, the sharp and sexy wardrobe, and even the movie poster itself is quite captivating. It does take more than eye candy to make a movie better than “ok”. I’m not familiar with the game so I don’t know if it does the game justice, but from what I see, I think it could have been better. I wanted more background on 47 and the agency’s connection with the Church. The movie opens with the timeless, spiritual musical piece, Ave Maria. Linking that to this story of super-professional hitmen gives a chilling effect. I wanted more of that and how/why the Church is behind this agency. Even though there are some flaws, not a bad job for Director Xavier Gens’ first major U.S. release.


  • Director: Xavier Gens

  • Producers: Chuck Gordon, Adrian Askariah, Daniel Alter, Luc Besson

  • Screenwriter: Skip Woods

  • Stars: Timothy Olyphant, Dougray Scott, Robert Knepper, Olga Kurylenko, Ulrich Thomsen

  • MPAA Rating: R


Source: smartcine.com


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Awake Movie - Official Trailer & Review. Jessica Alba Sexy Video

Awake Movie Official Trailer



Jessica Alba Sexy Video





Awake


Genres: Drama and Thriller


Running Time: 1 hr. 24 min.


Release Date: November 30, 2007


Starring: Hayden Christensen, Jessica Alba, Lena Olin, Terrence Howard, Sam Robards, Court Young.


Directed by: Joby Harold.


Official Website: awakethemovie.com


MPAA Rating: R for language, an intense disturbing situation, and brief drug use


During surgery, more than 60,000 people domestically each year experience "anesthetical awareness," a condition when anesthesia fails during surgery, leaving one completely conscious and feeling every incision, but paralyzed and incapable of doing anything about it. This is what happens to Clay.


'Awake' may not rouse sleepy week


Review by By Josh Friedman, Los Angeles Times Staff Writer


With the only major release hitting theaters this week, the backers of the medical thriller "Awake" hope to catch the competition napping.


It's been six months since a wide release had a weekend to itself, when that friendly beast "Shrek the Third" frightened off any challengers.


But rival studios aren't lying awake at night over Weinstein Co.'s "Awake," starring Hayden Christensen as a patient whose failed anesthetic leaves him alert but paralyzed during open heart surgery and Jessica Alba as his troubled wife.


The movie opens today at 2,002 theaters in the U.S. and Canada and at best will be a distant second for the weekend behind Disney's "Enchanted," currently in theaters, but is more likely to end up in third or even fourth place, industry executives and analysts say.


What really spooks Hollywood executives is the light business films historically have scared up on the weekend after Thanksgiving -- often the low point of the fourth quarter.


"This is the worst weekend of the year for releasing movies, in my opinion," said David Tuckerman, New Line Cinema's president of domestic distribution. "Maybe everybody is exhausted from Thanksgiving or busy turning their attention to the Christmas season."


Tuckerman ought to know. A year ago, his studio's "The Nativity Story" opened to mixed reviews and failed to spark any box-office magic while two competing releases, "Turistas" and "National Lampoon's Van Wilder: The Rise of Taj," fared even worse.


Two years ago, the science-fiction tale "Aeon Flux," starring Charlize Theron, flopped. Even the Tom Cruise epic "The Last Samurai," which opened to $24 million domestically during this weekend in 2003, was deemed a disappointment by the star's standards.


"Awake's" target demographic is female viewers under 25, the sweet spot for the horror-suspense genre in recent years. Weinstein's advertising shows off its handsome star, who played Anakin Skywalker in the latest "Star Wars" movies, and the romantic relationship between the Christensen and Alba characters.


The trailers and TV ads briskly set up the protagonist's horrifying predicament, the hook that is one of "Awake's" chief selling points. They note that 21 million Americans undergo general anesthesia every year, adding eerily, "One in 700 remain awake."


"Awake," however, is more a cautionary tale on the risk of getting one's medical information from movie marketers, said Christopher Bettin, a spokesman for the American Assn. of Nurse Anesthetists in Park Ridge, Ill.


Anesthetic awareness, as the condition is called, happens less frequently than the figure cited and is usually fleeting, Bettin said, "although that wouldn't make for a very long movie." He said the ads could prompt patients to become "unduly alarmed" about the danger.


Weinstein declined to comment, but the company -- never known for its understated marketing -- put out a news release a few weeks ago playing up the film's fear factor.


"This film will do to surgery what 'Jaws' did to swimming in the ocean," producer Joana Vicente proclaimed. It even included a medical disclaimer: " 'Awake' may not be suitable for those about to undergo anesthesia for surgery."


Leftovers usually top the charts on the post-Thanksgiving weekend, and that trend is likely to continue.


Although "Awake" is the only newcomer, multiplexes will be crammed with about a dozen major returning movies also vying for attention.


Disney's "Enchanted," one of five major films that opened the day before the holiday, will repeat as the No. 1 grossing title. With a modest second week drop-off, the musical fairy tale starring Amy Adams could take in $18 million in the U.S. and Canada, say insiders and analysts, for a projected total to date of about $72 million.


The R-rated "Awake," being distributed domestically by Metro-Goldwyn-Mayer Inc., could vie for the No. 2 spot with two holdovers: Sony Pictures' African American comedy-drama "This Christmas," last weekend's surprise runner-up, and Paramount Pictures' animated epic "Beowulf," whose box office has been boosted by its expensive 3-D screenings.


The three movies are expected to rake in about $8 million each.


For the last spot in the top five, 20th Century Fox's thriller "Hitman," based on the video game, could nose out Warner Bros.' "Fred Claus" and DreamWorks Animation SKG's "Bee Movie" with about $6 million in ticket sales at the weekend box office.


The lack of new release competition should enable "Awake," which was made for less than $10 million, to eke out more business than it would have otherwise generated in today's crowded marketplace. Grosses for holdover titles typically fall by 50% a week.


"This gives us our best window of opportunity," said Clark Woods, president of domestic distribution at MGM. "Traditionally the box-office trend for the weekend is low-grossing, but that doesn't mean you can't do some business."


Specialty distributors, with an eye on the upcoming Oscars, will test the waters this weekend with a few limited releases, notably director Julian Schnabel's wrenching real-life drama "The Diving Bell and the Butterfly" and Tamara Jenkins' dark comedy "The Savages," starring Laura Linney and Philip Seymour Hoffman.


Fox Searchlight opened "The Savages" on Wednesday at four theaters in New York and Los Angeles, in a bid for a little breathing room of its own, said Steve Gilula, chief operating officer for the News Corp. unit.


As expected, critics have been kind to both "The Savages," the story of a brother and sister who come together to care for their ailing father, and Miramax's "The Diving Bell," about a French magazine editor whose life is altered when he suffers a stroke.


"Both films are getting attention, so it was strategically prudent to separate the two," Gilula said.


Source: LA Times




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This Christmas Movie Review

This Christmas Movie Trailer


Genre: Drama

Starring: Chris Brown, Regina King, Delroy Lindo, Mekhi Phifer, Sharon Leal

Director: Preston A. Whitmore II

Producer: Joseph P. Genier, Leifur B. Dagfinnsson, Marvin Peart, Mike Elliott, Queen Latifah, Shakim Compere

Distributor: Screen Gems

Release Date: November 21, 2007

Writer: Preston A. Whitmore II


In director Preston A. Whitmore's This Christmas, an emotional whirlwind adult family dram-com, everybody has a secret, and we're not talking those presents under the tree. Combining the holiday spirit with less spiritual tendencies like girl fight sister rivalry, divorce, infidelity and in-the-closet interracial romance, Whitmore conceives of one middle class African American family's Christmas as a pressure cooker of unresolved resentments and enduring love.


It's that time of year when the Whitfield adult brood of grownup kids from around the country convenes at their LA childhood home still presided over by Ma Dear (Loretta Devine). While Ma Dear keeps up the sprawling Whitfield home and family dry cleaning business, compliant housewife Lisa (Regina King) is pressured by her conniving, unfaithful entrepreneur husband Malcolm (Laz Alonso) to persuade Ma during the homecoming to sell the business so that he can invest the money in his ambitious enterprises. When professional working sister Kelli (Sharon Leal) arrives, she sets about heaping contempt on Lisa for wasting her life as a virtual domestic servant to a man with domination and betrayal on his mind.


Ma has a few situations of her own too, including her secret live-in deacon boyfriend (Delroy Lindo), her difficulty cutting loose emotionally from a musician husband who abandoned her years ago because he was more in love with his sax, and two sons who hide their own musical ambitions because of mom's fear that they'll turn out like their less than devoted father. Meanwhile, Claude (Columbus Short) has gone AWOL from the Marines to make it home for Christmas, but he's left his white girlfriend stashed away at a hotel in town since he's too embarrassed to let on to the family that she exists. Oh, and Kelli who 'd rather spend her time with her work and that vibrator hidden away in the drawer, has caught the eye of a local LA fireman (Mekhi Phifer) who just may get her thinking otherwise.


There's lots more to these convoluted family machinations, much of it contrived, but the intended audience eavesdropping is rarely dull. The many pleasures of spending time with this variously distressed clan is that there's no dilemma, however worrisome, that can't be substantially overcome by the bountiful affection surrounding everyone and drawing them all in. This is a holiday film in the best sense of the word, a bouyant, jazzed up Christmas where for a change human flaws and feelings upstage gadget love.


Source: newsblaze.com




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A boy and a girl for J.Lo and Marc Anthony?

With Jennifer Lopez's belly expanding faster than a Jiffy Pop factory on fire, burblings are growing louder that she may have two Marc Anthony-spawned buns baking in her oven.

On the heels of People's report last week that J.Lo was recently seen "shopping for two" and a recent OK! item that she's "over the moon" about a double delivery comes a more detailed intrauterine dispatch from E!'s Marc Malkin, who hears she's "definitely" expecting twins -- a boy and a girl.

Lopez confirmed her bulgingly obvious great expectations during her final tour stop with Anthony on Wednesday night in Miami, telling the crowd, "Marc and I are expecting."

The less-than-earth-shattering announcement garnered many screams from the excited crowd and a kiss on the stomach from her beaming hubby.

So, why did Jen wait so long to make the blatant baby news official?

She told the crowd she didn't want to "burden" fans, who would perhaps worry about her high-energy dance moves during the show (you'll recall that she stumbled and nearly face-planted onstage last month).


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Mr. Bean's Holiday Movie Download & Review

The idea of Mr. Bean -- the simpering, near-silent king of the British twits -- always seems a bit funnier than the reality. That's especially true with "Mr. Bean's Holiday," the character's second big-screen adventure, with Rowan Atkinson exuberantly goofing his way through sight gags that are cute and clever but not terribly amusing.
Here and there, "Mr. Bean's Holiday" elicits some real laughs, particularly toward the end, as the mayhem the character causes reaches epic heights. Mostly, though, the movie is a just pleasant-enough trifle, a collection of amiable sketches strung together along Bean's pratfall-filled road trip from rainy London to the sunny beaches of the French Riviera.
Seventeen years after Bean debuted on British television, lanky, rubbery Atkinson still inhabits him with such imbecilic effervescence that it's not hard to get caught up in his misadventures even when they're not very interesting.
Atkinson has cited French filmmaker Jacques Tati's Monsieur Hulot as an inspiration for Bean, and the new movie plays like a lowbrow homage to that character's first appearance in "Monsieur Hulot's Holiday."
After a brief prologue in which Bean wins a raffle whose grand prize is a trip to Cannes and a digital video camera, our lovable cretin is off to France, recording his journey every step of the way. Bean's video travelogue is woven throughout the story line and becomes a key device during the movie's finale at the Cannes Film Festival.
Continually sidetracked by his own fathomless stupidity, Bean causes perpetual agony for himself and almost everyone he encounters, among them self-adoring filmmaker Carson Clay (Willem Dafoe), who is on his way to Cannes for the premiere of his pretentious new film.
Boarding a train in Paris, Bean manages to separate a Russian filmmaker (Karel Roden) from his young son Stepan (Max Baldry). Bean and Stepan wind up as traveling companions as our hero tries to reunite the boy with his father, eventually hooking up with an aspiring actress (Emma de Caunes) who's on her way to Cannes, as well.
French star Jean Rochefort pops up in a strangely insubstantial bit part as a waiter who serves up a seafood platter, prompting a stomach-churning scene in which Bean tries to make his way through a slimy lunch of oysters and prawns.
Director Steve Bendelack and screenwriters Hamish McColl and Robin Driscoll never quite hit on anything inspired, though they pile on enough absurd stunts and buffoonery to keep "Mr. Bean's Holiday" from ever becoming tedious. Some gags run on too long, and only a handful elicit visceral laughter, though.
Baldry and de Caunes are suitably sweet in roles that call for little else, while Dafoe serves his purpose well in essentially a one-note part as an egomaniac.
The entire movie hangs on Atkinson, with the other characters there mainly for Bean to crash into. Really just a large, helpless boy in tweed, Bean utters only a few syllables -- the occasional "oui," "gracias" or "Cannes" -- as he moves through the world with reckless single-mindedness.
It's a testament to Atkinson's gift for physical comedy and cartoonish expression that audiences can stick with an almost wordless simpleton for the space of a full movie. While "Mr. Bean's Holiday" is hardly a memorable vacation, Atkinson proves an agreeably silly tour guide.

Source: firstcoastnews.com


Actors: Rowan Atkinson, Max Baldry, Steve Campos, Willem Dafoe, Stephane Debac, Clint Dyer, Gilles Gaston-Dreyfus, Jean Rochefort, Karel Roden, Pierre-Benoist Varoclier, Emma de Caunes, Catherine Hosmalin

Director: Steve Bendelack

Video Information
Runtime: 86 minutes
Resolution: 668x352 px
Codec: DivX v5
Bit Rate: 918 kbps
FPS: 25
Size: 699.33 MB




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Spider-Man 3 Movie Download & Review

Our "friendly neighborhood Spider-Man" is back to thrill us with an action-packed adventure that provides an even better movie experience than Spider-Man and Spider-Man 2 combined. This new release lacks nothing. It’s full of exciting action sequences, climactic drama, humor, and a few nasty villains. Spider-Man 3 checks in on our hero, Peter Parker, just as a tangling web of conflicts arise with his former best friend, Harry Osborne, girlfriend Mary Jane Watson, and two newest enemies – Sandman and Venom. With the addition of new characters comes the need to establish their role in the overall Spider-Man story. One weakness in Spider-Man 3 could have been its inability to set up an organized storyline. But, it was an impressive strength. The plots aren’t overwhelming and the story is easy to follow.
Spider-Man 3: The Concluding Story
Director Sam Raimi, with the help of screenwriter Alvin Sargent and the talented cast, bring Spider-Man’s continuing saga to life in this exceptional film as it concludes the story started in Spider-Man (2002). Harry and Peter are fighting over what really lead to the death of Harry’s father. Spider-Man finally is honored by the city as a hero. He's also getting some attention from Gwen Stacy, one of Peter’s classmates, upsetting his relationship with Mary Jane, the love of his life. Two fierce new villains are born. All the while, a battle rages within Spider-Man. He must choose to remain good or become evil, to forgive or take revenge.
It’s this personal struggle that makes this a memorable film. Over the past five years, fans have watched Peter grow up through these movies. Strong moral character has been his identity. That all changes in Spider-Man 3. Peter really doesn’t know how to act or who to be – a hero or an avenger. Peter begin to relish the boundless power the black suit gives him. He desires to take matters in his own hands and avenge his uncle's murder. Peter's dramatic change is so far from what audiences are familiar with that they may not recognize the hero they’ve grown to love. His flawed character – his pride, vengeful heart, and anger – is magnified as he reveals his darker side.
Who’s Who in Spider-Man 3
Spider-Man 3 welcomes a few new faces to its cast. Academy Award nominee Thomas Haden Church (Sideways) joins as Flint Marko, a low level thug who later becomes Sandman. That’s 70’s Show TV star Topher Grace plays opposite Tobey as Eddie Brock, Jr., Peter Parker’s competition at the Daily Bugle. He’s also transforms into Spider-Man’s arch-nemesis – Venom. Bryce Dallas Howard from M. Night Shyamalan's The Village and Lady in the Water is Gwen Stacy and Spider-Man creator Stan Lee makes a cameo appearance.
Adding these great actors gives the movie an extra boost in the acting category. There’s one actor in particular who absolutely wows. Topher Grace’s performance as Venom is unforgettable. With the help of special effects team, he breathes life into this incredible creature. Die-hard fans may not like Topher in this role since Venom is a much large and older man in the comic books. But, Topher’s ability to show Eddie Brock’s deep desperation and his transformation into this enemy of Spider-Man is impressive. He’s also got the Tobey Maguire look, which lends itself to director Raimi’s desire to portray Venom as Spider-Man’s opposite.
Spider-Man 3 also has instances of well-placed humor. In particular, watch for a scene between Tobey Maguire’s character Peter Parker and a restaurant maitre d’ played by the always funny Bruce Campbell. You may remember him from the first two movies. He was the wrestling fight announcer in the first Spider-Man movie and the snooty theater usher in Spider-Man 2.
The Flaw in Spidey’s New Film
There’s not much to say as far as disappointments in what could be this summer’s biggest box office hit. But, there is one let down. It seems to be getting harder for directors to keep epic films like this one to a reasonable length. This one is 2 hours and 20 minutes. My advice: don’t drink a lot of soda because you will not want to miss anything. Although Spider-Man 3 has a fairly long ending, its exciting story makes it a forgivable offense.
What to Expect
Parents, this film is not suitable for young kids. It’s rated PG-13 for sequences of intense action violence. There's no gore or over-the-top violence, but it’s an action movie so some violence is to be expected. Foul language is at a minimum. Despite the violent battles starring Spidey and his foes, moviegoers will learn valuable lessons. Peter Parker's journey through Spider-Man 3 shows just how destructive pride can be even to a legendary hero and also the healing power of forgiveness. It really is the best flick of the three. Tobey Maguire agrees, saying this one is his favorite. Topher Grace, a comic book fan, is just happy to be a part of the project. He even jokingly says he would have done the film without pay.
Sony Pictures announced the possibility of Spider-Man 4 in the near future. But no decisions have been made as far as who will direct and star in it. The three powerhouse celebs involved this franchise – director Sam Raimi and actors Tobey Maguire and Kirsten Dunst – all aren’t sure if and how they’ll be a part of the fourth movie. They have said that if there’s a good story to tell and the team stays together, then fans could see Tobey don the red and blue suit once again. For now, enjoy this new movie that’s sure to delight millions worldwide. You’ll be glad you bought your $10 movie ticket. Trust me, its well worth the time and money.

Source: CBN.com

Actors: Tobey Maguire, Kirsten Dunst, James Franco, Thomas Haden Church, Topher Grace, Bryce Dallas Howard, J.K. Simmons, Rosemary Harris, James Cromwell, Theresa Russell, Dylan Baker, Bill Nunn, Bruce Campbell, Cliff Robertson, Elizabeth Banks

Director: Sam Raimi

Video Information
Runtime: 139 minutes
Resolution: 664x268 px
Codec: DivX v5
Bit Rate: 670 kbps
FPS: 23.976
Size: 800.05 MB




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The Hitcher Movie Download & Review

As the opening frames for The Hitcher inform us, 48,000 people die each year on the road each year. I know these sorrows have a variety of causes. Some are pure tragic accident, some the fault of inebriation, and some the fault of forgetting a turn signal or not watching a blind spot. Somehow, I doubt being sliced up by Brits in the middle of the New Mexico desert registers in the top five.
After attempting to briefly educate us about the perils of driving, The Hitcher (a remake of the 1986 cable standby) then jumps straight into the action. A guy (Zachary Knighton) waits impatiently for his girlfriend outside her dorm with a 1970 Oldsmobile 442. As he sits by his muscle car and she (Sophia Bush) comes out with nothing but pajamas and a small backpack on, The Hitcher feels like it should turn into a Penthouse story at any moment. They hop in the car, and before we even get their names we get to see Bush changing in the car and going on the road.
I mean I know horror movies aren't really about the characters, but were the writers so lazy they couldn't even come up with a major? A school? A college friend? Any indication of how these two know each other?
In fact, as far as I remember we don't ever find out the answers to any of those questions. The good news is that as soon as we run into the creepy sociopath (a wonderfully chilling Sean Bean), we don't really care.
They first meet him on a dark, stormy night. They're barreling down an unknown state route in the middle of the desert, he's standing in the middle of the road, and from the moment we see him, cinematographer James Hawkinson makes him look like the creepiest thing alive. She begs her boyfriend not to pick the hitcher up, and at the first of many cheaply drawn scare moments the predictable engine trouble almost prevents them from leaving the crazy man in the rain.
They escape to a gas station with the first in a long string of nameless stupid hick side characters. The hitcher has mystically managed to hop another ride to the exact same gas station, and ends up asking his way into hitching a ride.
The brief (and only) scene where they haven't figured out that he's a sociopath is about as much background as we get. We finally learn everyone's name: he's Jim, she's Grace, and the creepy Brit in the middle of the desert is John Ryder. He finds out they're on their way to spring break. Then he decides to break their cell phone and starts trying to kill them.


The amazing thing about The Hitcher is that while you can sit down and rethink its plot and realize what an empty movie it is, it's impossible to take your eyes or mind off of for long enough to let the stupidity sink in. You're soaked into the mess within a few minutes and don't get to leave until the end of the movie. Bean's sociopath is impossible to look away from, even though he's shown just slightly more often than Jaws was. Hawkinson's cinematography manages to make sun-drenched deserts creepy, and only offers brief and horrifying glimpses of the massacres.
While the script leaves much to be desired, it provides a lower number of groan-level disbelief moments then the average horror fare. There are plot holes that you can drive a small semi through, but sweet sociopathic distraction (and destruction) is almost always right around the corner. The Hitcher is simple and suspenseful, solely because of Bean's sociopath and Hawkinson's cinematic craftsmanship. It's worth a late night rental for only those reasons. If you took them away, The Hitcher would probably be just another sad movie by the side of the road waiting for January viewers to grab a ride.

Source: contactmusic.com

Actors: Sean Bean, Sophia Bush, Zachary Knighton, Neal McDonough, Kyle Davis, Skip O'Brien, Travis Schuldt, Danny Bolero, Jeffrey Hutchinson, Yara Martinez, Lauren Cohn, Michael J. Fisher, Joseph Michael Self, Kurt Grossi, Kurt Bryant

Director: Dave Meyers

Video Information
Runtime: 84 minutes
Resolution: 652x266 px
Codec: DivX v5
Bit Rate: 946 kbps
FPS: 23.976
Size: 699.69 MB



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The Da Vinci Code Movie Download & Review

The phrases “most anticipated movie of the summer” and “huge disappointment” seem to go hand in hand quite often. Early buzz for Ron Howard’s adaptation of “The Da Vinci Code” suggest that fans of the book and those that have been hoping to see what all the fuss is about without having to actually read should prepare for the worst. Is “Code” a bust or just a victim of impossible expectations? I’ve just finished breaking the code and now I can confidently say that the latter is true.
Much of the media frenzy surrounding the movie comes from the controversy created by the Catholic Church. Faithful Catholics have banded together to educate the world that most of Dan Brown’s novel is complete fiction. I’m really glad we all got this clarification. It almost makes you feel proud of the US government that they didn’t launch a campaign to set the record straight that “National Treasure” may not be historically accurate as well. And I don’t remember any rabbis upset that “Raider’s of the Lost Ark” took some creative liberties.
At best, Brown’s novel is a silly yet exciting page turner that plays into our love for conspiracy. Sure, some people are bound to wonder “what if,” but that’s just part of the fun. Fiction often makes suggestions of government corruption or conspiracy. There are always going to be those that take the bait, but why the Catholic Church actually takes this seriously seems to be a mystery in itself.
Because of all the media coverage (even on ESPN) there is no need to tell anyone more than they may already know about the plot. If you have actually managed to escape coming across any spoilers, consider yourself lucky.
For those that already read the novel, the good news is that Howard’s film is extremely faithful to its source material. There are a few lines that I remembered which didn’t make the final cut, but this movie is more or less the novel.
As a result, the movie’s strengths and weaknesses are largely reflective of those in the book. For instance, the best scene in the book is when the character Teabing tells the controversial legend in his mansion. The same holds true in the movie. Ian McKellen, as always, steals every moment of screen time he is given. Part of that is because McKellen is actually a wizard, but Teabing was my favorite character in the book as well.
Tom Hank’s Robert Langdon doesn’t quite work. He just doesn’t provide the hero required for such a thriller. Not to stir up my own controversy, but I’m not a huge fan of Langdon in the book either. Being a symbologist always seemed a bit silly. Heck, my spell checker doesn’t like it either. I guess that’s what you do when the communications and archeology schools don’t accept your application.
The problem is that Langdon doesn’t seem to contribute too much. His knowledge helps to solve a few puzzles, but Hanks doesn’t seem to believe anything his own character is saying. Some of the weakest moments in the film should have been Hank’s strongest.
Howard rushes through the scenes at the Louvre, which provide the main hook in the novel. Part of this strategy was to keep the excitement up by always positioning Langdon right on the edge of getting into trouble. This does keep things moving, but consequentially one of the best parts of the book doesn’t get the treatment it deserves.
Overall Brown’s story and Howard’s film provides an above the bar suspense thriller with some fresh and wild theories. For those that are disappointed, I ask what you expected. There are a lot of really awful movies that come out each year that just recycle dialog, plot points, and even complete scenes. If this same movie were to come out minus the expectations associated with Hanks and Howard, and if it weren’t based on one of the most popular and controversial books of recent memory, I suspect that reviews would be significantly more positive across the board. Folks might accurately recognize it for what it is, a jolly good piece of fiction and a pleasant way to kill a few hours.

Source: mustseeflix.com

Actors: Tom Hanks, Audrey Tautou, Ian McKellen, Paul Bettany, Jean Reno, Etienne Chicot, Alfred Molina, Clive Carter, Seth Gabel, Daisy Doidge-Hill

Director: Ron Howard

Video Information
Runtime: 143 minutes
Resolution: 720x292 px
Codec: DivX v5
Bit Rate: 790 kbps
FPS: 25
Size: 1524.78 MB



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Freedom Writers Movie Download & Review

Based on a true story of a young naive idealistic white teacher who gets a job in a ethnically diverse gang-ridden high school. No this isn't Dangerous Minds, it's Freedom Writers, adapted from the diaries of Woodrow Wilson High School students, and starring Oscar winning Hilary Swank as a first time teacher who is trying to change the world, or at least teach a couple kids there is a world beyond the self created borders.
Following the time tested story formula, Eric Gruwell (Hilary Swank) is faced with the harsh reality of a reform school and an uncontrollable class of students. She must earn their trust and change their lives, and she must accomplish this task before the lights come up in the movie theater. It's like an episode of 24, but without the ticking timer, or Jack Bauer, or torture. Actually, the more I think about it, it's nothing like an episode of 24.
I must admit that going into Freedom Writers, I wasn't expecting much. Actually I wasn't expecting anything. The film's poster looks like something photoshopped by a fourth grader. The almost nonexistent marketing and January release date is a sign of no studio confidence. All signs pointed to failure. But I was wrong. No, the film will probably fail - I am pretty positive the awareness of the film is next to none. And that's too bad, because it's a descent movie which deserves to be seen.
A little too simplified and exaggerated at times, Writers is an emotional and inspirational story of a bunch of inner city kids with no future who find a way to rise above. It's good natured, heat-wrenching but sometimes badly executed. I get it. I know that the movie was based on the journals written by the actual Freedom Writers Gruwell taught in the mid-90's. But there is no reason to turn such text into exposition-filled narration over montage after montage. This film could have played better without the voice over.
Too cluttered for it's 123 minute running time, a few of the characters back-stories could have been left out in the rough draft process to give the story a little breathing room. A storyline involving Gruwell's ignored and failing relationship with husband Scott Casey (Patrick Dempsey) lacks any emotional or story value.
It would have been interesting to see Freedom Writers adapted into a one hour dramatic television series where each season recounted a school year. While the time length wouldn't have provided the dramatic visual change in the characters that this two hour movie can provide, it could have focused on a lot more students, charting each ones development.
The screenwriter of TheHorse Whisperer and Blow, Richard LaGravenese makes his fictional feature film debut, and it shows. There is montages which feel fake or forced. None of the performances can be considered stand outs, which is sad considering the talent.
But thankfully, in the end this film is not just another Dangerous Minds (which turned out to be less of a movie and more of a launching pad for Coolio's Gangsters Paradise single). Freedom Writers has some touching moments in between lapses of bad writing and direction. It's those moments, which are sometimes (effectively) emotionally manipulative, in which this becomes a film worthy of your time.

Source: slashfilm.com

Actors: Hilary Swank, Patrick Dempsey, Scott Glenn, Imelda Staunton, April L. Hernandez, Mario, Kristin Herrera, Jacklyn Ngan, Sergio Montalvo, Jason Finn, Deance Wyatt, Vanetta Smith, Gabriel Chavarria, Hunter Parrish, Antonio Garcia

Director:
Richard LaGravenese

Video Information
Runtime: 123 minutes
Resolution: 524x286 px
Codec:DivX v5
Bit Rate: 681 kbps
FPS: 23.976
Size: 701.38 MB


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